Watchman News

Editor’s Note: This article is a reprint. It was originally published November 25, 2017.

I am so pleased to post this video and I hope it gives you as much joy as it did me when I first viewed it on 60 Minutes. It is beyond extraordinary to have a glimpse into someone as exceptionally talented as 12-year-old Alma. My only regret is that there is no way to post this without exposing you to a minutelong drug commercial, which I’m sure you realize I don’t endorse. For some of you, it may be the only time you see these commercials so let them entertain you.

Most of us are gifted with some degree of natural talent — something we do better, or with greater ease, than the average person. And then, there’s the true prodigies; people with seemingly unnatural talent. Their gift is so profound, and comes from God-only-knows-where. Alma Deutscher, from Basingstoke, England, is a perfect example of the latter.1

There are a number of musical prodigies out there, but Alma has most of them beat. She was able to name notes on the piano at age 2 and began playing piano and violin at the tender age of 3. Within a year of tutoring, she was playing Handel sonatas on the violin.

She’s now considered a virtuoso of both instruments. By the age of 4, she’d already begun composing her own melodies, and by 6 she’d written her first piano sonata. This was followed by a violin and orchestra concerto at 9.

In December last year, her full-length opera, “Cinderella,” premiered at the Casino Baumgarten Theatre in Vienna,2 the city of music, performed by the Viennese opera group, Oh!pera — an unattainable dream even for many adult composers who’ve spent a lifetime perfecting their craft. Alma, who wrote the score for every single instrument, and the lyrics, was 11 years old. The 2.5-hour long opera, with a musical score running 237 pages, received standing ovations.

Cinderella Reinvented by 11-Year-Old Prodigy

Many were also wowed by her creative reinvention of the classical tale of Cinderella. Rather than being matched with her true love by the way of a lost glass slipper of a particularly minute size — an idea Alma found to be “quite silly” — Cinderella is a talented composer and the pining prince is a poet. The tale is set in an opera production company run by the evil stepmother. The two stepsisters are divas with little talent and much vile.

Cinderella, with a natural talent for composing, is not allowed to perform. Meanwhile, the prince writes a love poem that ends up in Cinderella’s hands. Not knowing the identity of the poet, she falls in love with the words and sets them to music. After having her composition stolen by her evil stepsisters, who do their best to sing it at the ball, Cinderella finally gets her chance to perform for the prince.

The prince is enthralled by the enchanting melody, and sets out to discover who wrote the music to his poem. As in the classical story, he travels the land searching for his soulmate, but instead of looking for the foot that fits into the slipper, he sings a portion of the melody, knowing only the true composer can properly finish the song.

So, the prince falls in love with Cinderella not because of her physical beauty or tiny feet, but because of her talent, and because “he understands her,” to use Alma’s explanation. In other words, he recognizes his soulmate as a talented equal.

“I didn’t want Cinderella just to be pretty. I wanted her to have her own mind and her own spirit. And to be a little bit like me. So, I decided that she would be a composer,” Alma explains.3 “Cinderella” made its American sold-out debut December 16 at the Opera San Jose.4

Where Does the Music Come From?

Most interviews with Alma include the same question: Where does her music come from? In a “60 Minutes” interview, Scott Pelley received the following answer:5

“I don’t really know, but it’s really very normal to me to … walk around and having melodies popping into my head. It’s the most normal thing in the world. For me, it’s strange to walk around and not to have melodies popping into my head. So, if I was interviewing you, I would say, ‘Well, tell me Scott, how does it feel not having melodies popping into your head?'”

Oftentimes, the music comes when she’s most relaxed, either playing outdoors with her younger sister, or skipping rope. Her father, Guy Deutscher, a linguistics professor and amateur musician, taught her to read musical notes, but questions the influence of his role in her immense ability to create music, including scores for instruments she does not play.

He tells Pelley, “I thought it was me [that taught her to read music]. I hardly had to say [any]thing — and, you know, her piano teacher once said ‘it’s a bit difficult with Alma; it’s difficult to teach her because one always has the sense she’d ‘been there’ before.'” Alma also says she has “lots of composers” inside her mind, in a special “country” she created in her imagination.

These imaginary friends provide her with the emotional juices her tender youth lacks. Each one has their own emotional style of composing. One of them, Antonin Yellowsink, helped her compose a “dark and dramatic” violin concerto. “[S]ometimes when I’m stuck with something, when I’m composing, I go to them and ask them for advice. And quite often, they come up with very interesting things,” she says.

Would Rather Be Original Alma Than Second Mozart

Many compare Alma to Wolfgang Amadeus Mozart (1756-1791),6 one of the few childhood prodigies that can even compare to Alma’s talent. However, while flattered, Alma insists she would rather “prefer to be the first Alma than the second Mozart.” That said, she has a great affinity for the famed composer and musician, and “would have loved” to have him as a teacher.

The question is whether Alma wouldn’t have ended up teaching Mozart a thing or two. In a concerto in Israel, Alma performed one of Mozart’s piano concertos with a cadenza — a musical interlude where the orchestra goes silent, allowing the soloist to perform his or her own music. But in this case, Alma didn’t just perform Mozart’s solo. She created her own.

“It’s something that I composed because, you see, it’s a very early concerto of Mozart and the cadenza was very simple. It didn’t go to any different keys,” she tells Pelley. “And I composed quite a long one going to lots and lots of different keys doing lots of things in Mozart’s motifs,” Alma says. “So, you improved the cadenza of Mozart?” Pelley asks, to which she replies, “Well, yes.”

Robert Gjerdingen, a professor of music at Northwestern in Chicago who has acted as a “consultant to Alma’s education,” had the following to say about his star protégé:

“It’s kind of a comet that goes by and everybody looks up and just goes, ‘Wow.’ I sent her some assignments when she was six, seven, where I expected her to crash and burn, because they were very difficult.

It came back, it was like listening to a mid-18th century composer. She was a native speaker … It’s her first language — she speaks the Mozart-style. She speaks the style of Mendelssohn … She’s batting in the big leagues. And if you win the pennant, there’s immortality.”

The Many Benefits of Music

As for why she composes, Alma says her inspiration is to “make the world a better place,” and she believes beautiful music can do that. She is undoubtedly correct. Music is a form of emotional communication, an emotional protolanguage of sorts, and like emotions it can have a tremendous influence on psychological and even physical health. For example, music has been found to:

Help you exercise harder, while making it feel easier

Help Alzheimer’s patients reconnect with people around them, remember past life events and reduce agitation associated with dementia

Allow patients with Parkinson’s disease move more freely.7 The music appears to provide an external rhythm that bypasses the malfunctioning signals in the brain

Improve your mood; calm nerves; reduce stress and/or invigorate and energize

Facilitate connection and unification between people. Despite individual differences in musical preferences, classical music has been shown to elicit a very consistent pattern of brain activity in virtually all listeners. Areas activated include those involved in movement, planning, memory and attention. This brain activation creates a sort of unifying force that synchronizes and unifies people together8

What Happens in Your Brain When You Hear Music?

When you listen to music, much more is happening in your body than simple auditory processing. Research shows that music triggers activity in the nucleus accumbens, a part of your brain that releases the feel-good chemical dopamine and is involved in forming expectations. At the same time, the amygdala, which is involved in processing emotion, and the prefrontal cortex, which makes possible abstract decision-making, are also activated.9

Based on the brain activity in certain regions, especially the nucleus accumbens, captured by an fMRI imager while participants listened to music, the researchers could predict how much money the listeners were willing to spend on previously unheard music. As you might suspect, songs that triggered activity in the emotional and intellectual areas of the brain demanded a higher price.

Interestingly, the study’s lead author noted that your brain learns how to predict how different pieces of music will unfold using pattern recognition and prediction, skills that may have been key to our evolutionary progress. As reported by Time:10

“These predictions are culture-dependent and based on experience: someone raised on rock or Western classical music won’t be able to predict the course of an Indian raga, for example, and vice versa. But if a piece develops in a way that’s both slightly novel and still in line with our brain’s prediction, we tend to like it a lot. And that, says [lead researcher] Salimpoor, ‘is because we’ve made a kind of intellectual conquest.’

Music may, in other words, tap into a brain mechanism that was key to our evolutionary progress. The ability to recognize patterns and generalize from experience, to predict what’s likely to happen in the future — in short, the ability to imagine — is something humans do far better than any other animals. It’s what allowed us (aided by the far less glamorous opposable thumb) to take over the world.”

Alma’s future passion project is to write a book, turn it into a film and write the musical score. I hope you’ll take the time to view the featured 25-minute documentary about Alma Deutscher, and revel in her musical talent. You will not regret it. Then, if you’re eager for more, you can listen to some of the “Cinderella” performances in the 1.5-hour-long recording above. May she inspire you to help make the world a better place, every day.

Editor’s Note: This article is a reprint. It was originally published May 21, 2019.

I’ve written about the collusion between industry and the U.S. federal regulatory agencies on many occasions throughout the years, and how industry-funded research simply tends to promote and support the industry agenda rather than shed truthful light on the benefits or risks of any given product.

In recent years, the hidden influence of The Coca-Cola Company over health and sugar science has been highlighted several times and, according to recent findings, it appears the company has not changed its secretive and deceptive ways, despite public assurances of transparency.

Documents obtained via Freedom of Information Act (FOIA) requests reveal Coca-Cola’s research agreements with certain universities give the company questionable rights over the research process, while other FOIA documents show Coca-Cola has an unreasonable amount of influence over the U.S. Centers for Disease Control and Prevention.

Truly, having a public health organization that protects and supports industry rather than looking out for public health is worse than having no public health protection agency at all, and making health decisions on Coca-Cola funded research is bound to lead public health in the wrong direction — which is exactly what’s been happening.

Coke’s Research Agreements Allow It to Bury Unfavorable Findings

Big Soda’s core message has been that the obesity epidemic is driven by a lack of activity, as opposed to indulging in sugar-based foods and beverages, despite overwhelming scientific evidence you will never be able to out-exercise your diet.

Recent FOIA documents obtained by the nonprofit consumer and public health watchdog organization U.S. Right to Know (USRTK) offer an explanation as to how the company can influence research to support and promulgate this false idea.1,2,3,4 As noted in a commentary in The British Medical Journal:5

“The research team, from the University of Cambridge, London School of Hygiene and Tropical Medicine, the University of Bocconi, and non-profit group US Right to Know, looked at five research agreements made with four universities: Louisiana State University, University of South Carolina, University of Toronto, and the University of Washington.

They found that, although the contracts show that Coca-Cola does not have day-to-day control of the research, it has various rights throughout the process … This is despite Coca-Cola’s website stating that ‘in no event does The Coca-Cola Company have the right to prevent the publication of research results’ …

The authors are now calling on corporate funders to publish lists of terminated studies and on scientists to publish industry agreements to show that their findings are free from influence.”

Just how much influence do the agreements grant Coca-Cola? According to the featured paper,6 published in the Journal of Public Health Policy, the research contract provisions give Coke:7

The right to review and comment on studies before publication

Intellectual property rights connected to the research8,9

Control over study data

Control over disclosure of results

Control over acknowledgment of Coca-Cola funding, meaning the company could prevent the researchers from disclosing that their funding came from Coke

Power to terminate studies early for any reason, including no reason

Coke-Funded Science Cannot Be Trusted

In a USRTK press release, Gary Ruskin, co-director of USRTK and co-author of the paper, commented:10

“These contracts suggest that Coke wanted the power to bury research it funded that might detract from its image or profits. With the power to trumpet positive findings and bury negative ones, Coke-funded ‘science’ seems somewhat less than science and more like an exercise in public relations.”

Marion Nestle, Ph.D.,11 professor of nutrition and public health at New York University and author of “Soda Politics,” in which she dissects the many ways in which funding from the food and beverage industry influences scientific results, calls the USRTK findings “jaw-dropping.” She told Inverse:12

“It demonstrates what we have all long suspected. Companies that sponsor research make sure that they get what they pay for. The study documents the involvement of Coca-Cola in many aspects of developing research projects.

It is no surprise that its funded research typically comes out with results that are useful for Coca-Cola marketing purposes. Industry funded research is marketing research, not scientific research.”

High Time for All Branches of Science to Mandate Preregistration of Studies

Since September 27, 2007, Section 801 of the Food and Drug Administration Amendments Act requires any clinical trial being undertaken to be registered, and summary results must be submitted to ClinicalTrials.gov13 regardless of the outcome of the study. The reason for this is to help prevent publication bias where only positive findings see the light of day.

Unfortunately, this law only applies to certain clinical trials of drugs, biological products and medical devices,14 and while researchers in many other fields have taken to preregistering their studies,15,16 which means they must also publish their results, it’s not a blanket requirement across the board.

As of yet, preregistration of trials is not a requirement for nutritional research, although there’s a movement toward it. As noted in the 2015 editorial “Goals in Nutrition Science 2015-2020,” published in Frontiers of Nutrition:17

“[T]here is a general movement in science for ‘Transparency and Openness Promotion,’ formalized in ‘The TOP Guidelines.’18 The guidelines recognize eight standards: citation, data transparency, analytic methods (code) transparency, research materials transparency, design and analysis transparency, preregistration of studies, preregistration of analysis plans, and replication.

These standards aim to improve the communication of science, allowing improved understanding and replicability of results. Because the TOP Guidelines are being adopted across fields of science, the field of nutrition will not have to act in isolation to improve its scientific practices. Instead, we can build on and work with the minds and resources coming from a spectrum of scientific inquiry.”

Another paper,19 “Best Practices in Nutrition Science to Earn and Keep the Public’s Trust,” published in January 2019, also highlights the TOP (transparency and openness promotion) guidelines that call for preregistration of studies.

On a quick side note, the first analysis20 of preregistered studies reveals there’s been a sharp increase in null findings, suggesting the practice is working as intended.

As reported by Nature, “Studies that preregister their protocols publish more negative findings that don’t support their hypothesis, than those that don’t.”21 This is important, because when mainly positive studies are published, it can easily create the false appearance that the evidence for a particular treatment is far stronger than it actually is.

CDC Colludes With Coca-Cola to Deceive You

Earlier this year, another batch of emails obtained via FOIA requests (after USRTK sued the CDC to get a response) revealed Coca-Cola was actively lobbying the CDC “to advance corporate objectives rather than health, including to influence the World Health Organization,” USRTK said in a post on its website,22 adding that the documentation demonstrates “a need for clearer policies on avoiding partnerships with manufacturers of harmful products.”

These documents, featuring correspondence between Coca-Cola executives and the CDC, can be found in the USCF Food Industry Documents online archive.23,24 A paper25,26,27,28 detailing the connections between Coke and the CDC based on the email cache was published in The Milbank Quarterly in January 2019. In a press release announcing the publication of the paper, USRTK said:29

“Coca-Cola’s contact with the CDC shows the company’s interest in gaining access to CDC employees, to lobby policymakers, and to frame the obesity debate by shifting attention and blame away from sugar-sweetened beverages …

‘It is not the proper role of the CDC to abet companies that manufacture harmful products,’ said Gary Ruskin, co-director of U.S. Right to Know. ‘Congress should investigate whether Coca-Cola and other companies that harm public health are unethically influencing the CDC, and subverting its efforts to protect the health of all Americans.’

‘Once again we see the grave risks that arise when public health organisations [sic] partner with manufacturers of products that pose a threat to health,’ said Martin McKee, professor of European public health at the London School of Hygiene & Tropical Medicine.

‘Sadly, as this example, and more recent ones in the United Kingdom show, these risks are not always appreciated by those who should know better.’”

CDC Official Helped Coke Influence World Health Organization

In March 2015, WHO published a new sugar guideline that specifically targeted sugary beverages, calling them out as a primary cause for childhood obesity around the world, especially in developing nations, where the soda industry is now aggressively expanding its reach.

WHOs recommendation to limit soda consumption was a huge blow to an already beleaguered soda industry, struggling to maintain a declining market share amid mounting evidence identifying sweetened drinks as a primary contributor to the obesity and diabetes epidemics.

Email correspondence between Alex Malaspina, a former Coca-Cola scientific and regulatory affairs leader and the founder of the food industry-funded group International Life Sciences Institute (ILSI), and Barbara Bowman, Ph.D., then-director of the CDC’s Division for Heart Disease and Stroke Prevention, revealed Bowman repeatedly tried to help Malaspina get an audience with WHO officials, with the aim to talk them into relaxing the sugar limits.30,31

As noted by the USRTK,32 while Bowman’s job was to prevent obesity and related health problems, she “appeared happy to help the beverage industry cultivate political sway with the World Health Organization.”

Bowman left the agency at the end of June 2016, just two days after the initial reports about her cozy relationship with Coke were made public,33 which suggests she understood full well how inappropriate her behavior was.

This case also highlights the reality of corporate loyalty. As reported by the Huffington Post,34 early in her career, Bowman worked as a senior nutritionist for Coca-Cola. She also co-wrote one of the editions of a nutritional book published by ILSI.35

It’s human nature to remain loyal to former employers and colleagues, which is why the revolving door between industry and the agencies that regulate them is so problematic. People don’t shed their corporate mindset just because they get a government title and a new set of responsibilities.

Latest Coca-Cola Funded Study Again Blames Inactivity for Childhood Obesity

Coca-Cola and other soda makers have invested a lot of money in research and PR efforts aimed at protecting sales through misdirection. Coca-Cola in particular has worked hard to make it seem as though they’re concerned about public health while secretly undermining real efforts to improve it.

For example, a historical analysis36 published in 2016 found the sugar industry funded research that identified dietary fat as the culprit in heart disease, not sugar, and didn’t disclose that funding.

A 2017 study37 revealed that while sponsoring 95 U.S. health organizations, Coke was lobbying against public health bills aimed at reducing soda consumption through taxing, sugar limits and other strategies.

Coca-Cola and many other junk food manufacturers are also notorious for funding — and thus influencing — food and nutrition conferences and education.38

Most recently, a Coke-funded study39 published in the International Journal of Obesity January 31, 2019, evaluated “the single and joint associations of objectively measured moderate-to-vigorous physical activity and sedentary time on week and weekend days with obesity in children from 12 countries …”

They concluded the odds of obesity were highest among those who got the least amount of physical activity on both weekdays and weekends. Children with the lowest odds of obesity were the most active throughout the whole week. As noted by Nestle in her Food Politics blog:40

“This is another paper from the ISCOLE study funded by Coca-Cola, that seems to be aimed at casting doubt on the idea that sugary beverages might promote weight gain. Instead, these results suggest that physical activity is a more important factor.

Of course physical activity is important for health, but doesn’t expend nearly as many calories as is usually needed to compensate for soft drink intake. I learned about this study from a Weighty Matters blog post41 by Dr. Yoni Freedhoff, who runs a weight management center in Ottawa.

In his view, the ISCOLE study ignores evidence42 that childhood obesity is a determinant of physical activity, ‘not the other way around.’ He also questions the ‘no influence’ statement in the funding disclosure, on the basis of emails43 between ISCOLE investigators and Coca-Cola that not surprisingly suggests that these relationships have the very real potential to influence the framing of results even if funders [are] not involved in study design.

As I discuss in ‘Unsavory Truth,’ the influence of food-industry funders appears to occur at an unconscious level; investigators do not recognize the influence and typically deny it.”